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By Kerstin Knopf

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1974). The Fourth World: An Indian Reality. Don Mills, ON: Collier-Macmillari Canada, Ltd. Miller, J. R. (2000). Skyscrapers Hide the Heavens: A History of Indian-White Relations in Canada. 3rd ed. Toronto, Buffalo, London: U of Toronto Press. Ross,, Ian. fareWel. 6th ed. Winnipeg, MB: J. Gordon Shillingford Publishing Inc. Ruffo, Armand Garnet. (1996). Grey Owl: The Mystery of Archie Belaney. Regina, SK: Coteau Books. Sioui, Georges E. (1992). For an Amerindian Autohistory, trans. Sheila Fischman.

E. R. Atleo 2004, M. R. Atleo 2001, M. R. Atleo 2006, online) to buttress the claims of Nuu-chah-nulth-aht. So long hidden, the Huupakwanum Tupaat or Treasures of the Nuu-chah-nulth Chiefs were made manifest as a demonstration of authority of nationhood and self-determination in a celebration of "the beauty and complexity of Nuu-chah-nulth culture" (Hoover 2000, 3). The life-world of Nuu-chah-nulth people came into public view. AHOUSAHT FIRST NATION At the community level, another response to decolonization was the development of the Ahousaht Holistic Society in the remote and rugged wilderness of Clayoquot Sound in the territory of the Nuu-chah-nulth (formerly called Nootka), a Wakashan-speaking people.

Moreover, such books treat "Indianness" as a role in society and not as ethnic identity. Susemihl demands that the children and youth book and toy industry reconsider their view and representation of Native cultures, that "parents and teachers must become aware of their role in facilitating and preventing the development of prejudices," and that extensive empirical studies on the effects of stereotypes in racist children and youth literature be undertaken. Siobhan Smith discusses practices of inclusion and exclusion of Aboriginal art works in the Canadian artscape and specifically those of the McMichael 19 KERSTIN KNOPF Canadian Art Collection (hereafter MCAC) in Kleinburg, Ontario.

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